Production design by Donald Graham Burt; set decoration by Jan Pascale.
David Fincher's Mank is based on screenwriter Herman Mankiewicz’s (portrayed by Gary Oldman) time writing the script for the iconic film Citizen Kane. Coming in with 10 nominations, Mank is one of the most buzzed-about films of the year. Production designer Donald Graham Burt and Fincher have been working together since Zodiac (2007) and are clearly a winning combination. They’ve collaborated on Academy Award–nominated films (and winners) such as The Curious Case of Benjamin Button (2008), The Social Network (2010), and The Girl with the Dragon Tattoo (2011).
For Mank, Graham Burt had to create authentic sets to accurately convey the Golden Age of Hollywood and think about how the sets photographed in black and white. ‘‘There was certainly a learning curve in approaching the black-and-white aspect of the film,’’ Graham Burt told ELLE Decor in an e-mail. ‘‘We couldn’t scenic the interiors in tones of orange and green merely because it photographed well, as it would be too jarring and distracting to the actors and take away from the reality we were attempting to portray. We developed a language of colors that, combined with glazes, functioned to keep the sets feeling real while also lending themselves to the richness of the black and white.’’
If you asked the designer what the most challenging part was, it would be recreating the Hearst Castle, formerly called the San Simeon estate, where the lavish parties were set. Since filming was not allowed on the estate, Graham Burt was left with two options: scout similar-looking locations or recreate the famous structure. He went with the latter and managed to build it on a soundstage in eight weeks. The castle emulated many different architectural styles, among them, Spanish Colonial, Classical, and Gothic. But the most illuminating insights for a dining scene came from Hearst Castle Fare, a vintage cookbook. “It had details about gatherings, table arrangements, place settings, furnishings, drink menus, and food menus,” he shares in a statement.
For Mank’s other location, North Verde Ranch (now called Kemper Campbell Ranch), where Mankiewicz was sent to write Citizen Kane, the team was thankfully granted an original for exterior shots, but had to devise the interiors themselves. They wanted to capture the vibe of a ‘‘dusty, desert bungalow where there was always the presence of a bright desert light outside.’’ Graham Burt continued. “It was important for Mankiewicz to feel sequestered and remote in a simpler environment.’’